   His brother's reaction was equally adorable.  It was a happy experience for all. Contact Marie to commission a portrait of your child.  2020 Art Classes offered at my Lake St. Louis location, include student's choice of media - pastel painting, oil painting and charcoal/graphite drawing. Here are progress photos of student's work from classes in a variety of media. Students can choose their own subject reference in order to feel a connection with the subject.  Beautiful pastel paintings!    Oil painting in progress. Gorgeous color!  Here is a graphite & charcoal drawing getting some finishing touches.
Lovely! 20 Years with the Blues! 2019 is my 20th year creating portraits for the St. Louis Blues! I am fortunate to celebrate a special anniversary working with the Blues, in a year they won the Stanley Cup - the first in franchise history!
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Drawing class information here.
DRAWING STEP-BY-STEP
Click image
Click image
It is common to be too tight and focused on details EARLY ON.
Ironically being LOOSE in the beginning will actually improve the final details in your drawing.
You do not have to dread the blank sheet of paper in front of you. Here are some ways to help you relax and enjoy drawing.
Remember the starting lines will get covered up
Be loose and very general with your beginning pencil lines, make a soft suggestion of where the eyes and face will be.
Remember that all of these soft lines will be covered up with future mark making and shading. So don't worry about messing up.
Remember that all of these soft lines will be covered up with future mark making and shading. So don't worry about messing up.
Use powdered graphite to block-in value shapes
Why? Sometimes a pencil point or line can be too restrictive. Powdered graphite is easier to put down broad, loose, value shapes of darks.
Please don't be afraid to get your dark shadows in, because again future marks will go on top.
No ... the second photo above isn't darker than the photos to the right. You may think I lightened some of the eye area, I didn't.
What I did was go darker with the eyebrow, lidline, and lashline. It's just an optical illusion. Those darker marks make the values before it look lighter.
Have fun and enjoy drawing.
Please don't be afraid to get your dark shadows in, because again future marks will go on top.
No ... the second photo above isn't darker than the photos to the right. You may think I lightened some of the eye area, I didn't.
What I did was go darker with the eyebrow, lidline, and lashline. It's just an optical illusion. Those darker marks make the values before it look lighter.
Have fun and enjoy drawing.
Are you interested in drawing tips and classes? Current Class Information here.
For more drawing tips, Sign up for my newsletter to get info sent to you.
For more drawing tips, Sign up for my newsletter to get info sent to you.
Starting a new drawing can be very intimidating. Here are three tips to get you started.
One: Skip the Details
No details ... at least in the beginning. Details are the fun part, I know. I understand the desire to want to start with them, but save them for later. You need your foundation first. Keep your drawing soft and loose.
Two: Find the Shapes
Step back, LOOK at your subject or photo, and find the overall direction of the figure, and then draw directional lines for a guide. Next, find your largest shapes. Look for circles, ovals, rectangles, whatever shapes you see in your subject. Progress to smaller shapes from there.
Three: Draw Lightly
Draw with a light line using a soft lead pencil. I usually start with a #2 school type pencil or a softer lead, like a 6B drawing pencil. You'll sketch many lines in the beginning because you are exploring your subject and getting to know it. Do not expect to put down the exact marks in the beginning. Be kind to yourself and have fun sketching!
Okay 1) Skip the details, at first. 2) Get the overall angle of your figure and identify the largest shapes you see to the smaller ones. 3) Use a soft pencil, very loosely to explore your subject.
Have fun drawing!
Subscribe to my Studio Notes, for more drawing tips.
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People are often curious as to how a portrait starts and progresses. Sometimes I'll show video clips of a portrait progression on Facebook. I also like to sketch live so that people who might be interested in a portrait can watch a little bit of the process. As part of the team at OA Gallery I have the opportunity, sometimes to sketch while at the gallery. It's a great perk and fun way to catch up on some portrait drawings. Stop by the gallery for a visit.
Contact Me to find out when I'll be at the gallery next.
What a Fun Art Field Trip!
Sketching the Portrait at the Museum
I love our amazing St. Louis Art Museum! It is so beautiful!
A favorite thing is to bring my class to the museum to explore and sketch.
We sketched from two masterwork paintings.
Our emphasis was sketching the large shapes of the figure in the painting, creating a loose drawing in charcoal and pencil.
With no pressure, our sketching is done as a form of personal journaling, for each of us to explore and to become more aware of this incredible painting.
A favorite thing is to bring my class to the museum to explore and sketch.
We sketched from two masterwork paintings.
Our emphasis was sketching the large shapes of the figure in the painting, creating a loose drawing in charcoal and pencil.
With no pressure, our sketching is done as a form of personal journaling, for each of us to explore and to become more aware of this incredible painting.
Portrait of a Woman
by Nicolas de Largilliere
c. 1696
by Nicolas de Largilliere
c. 1696
To sketch a masterwork, helps us all to really see it and maybe begin to think about all the decisions that the artist had to make in creating this painting, such as composition, lighting, how much of the sitter will be included and on and on.
We moved on to a second amazing painting by Robert Henri.
Again our emphasis was on sketching, and getting the overall strong direction or angle of the subject's figure. Then we moved on to creating large shapes to small shapes, with minimal detail.
Again our emphasis was on sketching, and getting the overall strong direction or angle of the subject's figure. Then we moved on to creating large shapes to small shapes, with minimal detail.
Betalo Rubino, Dramatic Dancer
by Robert Henri
1916
by Robert Henri
1916
To reward all our lovely sketches,
we relax and enjoy a luxurious lunch together!
we relax and enjoy a luxurious lunch together!
What a treat!!
A super fun fantastic day was had by all!!
A super fun fantastic day was had by all!!
Join the Fun--
If you are reading this and are interested in taking
Art Classes with Marie Donato,
check out Marie's Art Class Info Page
for more information.
Have a Great Day!
If you are reading this and are interested in taking
Art Classes with Marie Donato,
check out Marie's Art Class Info Page
for more information.
Have a Great Day!
What a great class! Fantastic finished work by my Portrait Drawing Class at OA Gallery! The focus of this portrait class was drawing the portrait on toned paper using graphite and charcoal. It's great for students to have a connection to their subject, so students are encouraged to bring their own photos.
Demonstration Drawing where I begin by loosely laying in the large shapes of the head, face, hair and neckline and then I start the eye area.
My art class students are working hard and making beautiful progress!
What a great job they did! I have the best students!
Thank you all for making it such a fun class!!
Thank you all for making it such a fun class!!
If you are reading this and are interested in taking
Art Classes with Marie Donato,
check out Marie's Art Class Info Page
for more information.
Have a Great Day!
Here are photos of a corporate portrait painting created in pastel.
To start a portrait there are many decisions to be made even before anything is started. Things like: how much of the figure will be included in the portrait, the background color, the subject's pose, clothing and overall composition.
The first step is always drawing for me. I sketch my ideas out and work within the client's chosen size of the portrait.
For this portrait commission I was asked to create an upper torso/head and shoulders portrait. I sketched my final drawing onto the sanded pastel board. When working on a pastel painting, I usually work top to bottom because of the fall of the pastel dust. It is much cleaner that way.
For this portrait commission I was asked to create an upper torso/head and shoulders portrait. I sketched my final drawing onto the sanded pastel board. When working on a pastel painting, I usually work top to bottom because of the fall of the pastel dust. It is much cleaner that way.
To protect my hands from the abrasive texture of the sanded board and to keep them clean, I wear gloves.
For the skin tones there are many layers and many additional colors added to create subtle nuances in the complexion.
Finishing up the jacket.
The completed portrait!
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